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Guadalupe Geocachers Family Workshop: Learn about geography, navigation and geocaching from the Guadalupe River Park Conservancy. Learn about ancient navigation and modern Global Positioning Systems. Work in teams to use handheld GPS units (provided) to determine your latitude and longitude in the park, find educational treasure boxes, and solve geography puzzles. For ages 5 and up. Pre-registration is required, and space is limited. Oct. 25, 10-11:30 a.m. $15/members, $20/non-members for families of four; $10/members, $15/non-members for a parent and one child. Guadalupe River Park Conservancy Visitor and Education Center, 438 Coleman Ave., San Jose. grpg.org, 408-298-7657.

Their deaths prompted an outpouring of public mourning from across the political spectrum that was at odds with a recent political climate that has been defined by intense partisanship, coarse silver plated ballet shoe earrings, ballet shoe earrings, silver plated earrings insults and divisive rhetoric, The year also saw the death of one of the world’s best-known singers, Aretha Franklin, The Queen of Soul’s death in August prompted a grand send-off during a week of mourning in her hometown of Detroit, including a funeral that featured a who’s who list of entertainers, former presidents and prominent preachers..

Foothill College Theatre Arts Department. “The Assembly-Women.” By Aristophanes. May 23-June 8. Directed by Tom Gough. Featuring Suzie Poulson, Nicolae Muntean and Kevin Scofield. Ensemble includes Diana Dinéts, Steven Ho, Kazmeira Tarshis, Charnneé Young, Dominic Dee, David Kirk, Lauren Ackerly,Putrina Rafie, Holly Smolik, Victoria Weber, Georgie Anaya, Kimberly Johnson, Megan McNulty, Nikita Sethi, Marley Westley, Preeti Mann, Brittany Pisoni, Jessica Munoz-Dorr, Angel Ordaz, Sarah Weiler and Caitlyn Slavich. Lohman Theater, Foothill College, Los Altos Hills. $10-$18. 650-949-7360 or www.foothill.edu/theatre/tickets.

He says, “It was hard to hear the words, but I could make out the vibrations and some of the lyrics, At the instrumental break, the electricity came to my body, and the spirit took over, The pain and the joy that I had — they were able to feel it, My fellow classmates, who I didn’t feel connected with, were really with me, “It was a new way to communicate,” he adds, “I didn’t want to be part of the world, I didn’t know there was a place for me, And that dance told me I have a place, silver plated ballet shoe earrings, ballet shoe earrings, silver plated earrings It got me accepted with hearing people and deaf people ….”..

Not only is her “Pippin” not a reverential museum piece trying to replicate the original, but it’s downright radical in its pace and its eye on gender identity. For instance, Paulus cast a woman as the Leading Player, a role famously originated by Ben Vereen. She also opens the musical with a number that flies in the face of rules of audience engagement. The New York Times called Paulus’ “Pippin” “a natural extension” of the original, directed by the legendary Bob Fosse. “This is a ‘Pippin’ for the 21st century,” the Times said, “when it takes more than style to hold the attention of a restless, sensation-hungry audience.”.